Rob is a critically acclaimed director, dramaturg and facilitator. He collaborate with writers, communities, poets, designers to try to make sense of the fractured world we live in. He is dedicated to working with young people to help them tell stories, understand how to access theatre and to make resonant and risk taking work. He started his career working on Hackney estates; taking theatre to the doorsteps of communities in East London.

He currently works as an Associate at Headlong Theatre, regularly teaches at the Royal Central School of Speech and Drama and makes work with the Institute of the Arts Barcelona. He previously headed up the young people’s team at the National Theatre, was a Lead Artist at Lyric Hammersmith, an Artist Mentor at the Barbican and was Associate Director at Immediate Theatre.

Theatre, at its best, is a dialogue, it’s democratic, it’s shapeshifting and powerful. It uncovers and dissects the crunchy, oblique and often difficult situations that are happening in our world. It should not just talk about the world, but try to save it. Rob aims to make work that does just this.

Selected Credits:

Acts of Resistance by Stef Smith (Headlong Theatre & Bristol Old Vic); Rallying Cry byApples and Snakes (Battersea Arts Centre, BBC Contains Strong Words Festival Hull,Brighton Fringe); It’s Not Too Late to Save the World (and Other Lies) devised by the company (Lyric Hammersmith); Operation Ghost Raven by Rob Watt (The Department & MSC Grandiosa); 13 by Mike Bartlett (Institute of the Arts Barcelona); The Exorcism by Ross Sutherland (Battersea Arts Centre), How to Survive a Post Truth Apocalypse by Francesca Beard (Soho Theatre / Roundhouse / UK Tour); Love and Information by Caryl Churchill (Institute of the Arts Barcelona); SEXY by Vanessa Kisuule (Roundhouse / Bristol Old Vic / UK Tour); Be Prepared by Ian Bonar (Underbelly / VAULT Festival); Party Trap by Ross Sutherland (Shoreditch Town Hall); Goosebumps by Rob Watt (The Vaults); The Joy of Normal devised by Rob Watt and the Company (Orange Tree Theatre); Earthquakes in London by Mike Bartlett (Institute of the Arts Barcelona); Standby For Tape Back-Up by Ross Sutherland (Soho Theatre / Shoreditch Town Hall / UK tour) Road by David Lane (Woodberry Down Community Centre, London).

www.robwatt.co.uk

Emma is a theatre consultant, working recently with organisations including Chichester Festival Theatre, Kiln Theatre and London Theatre Consortium (LTC). Previously Director of LTC, she led on strategic projects working across the 14 member theatres, including the LTC Creative Apprenticeship programme; a sustainability programme in partnership with Julie’s Bicycle; and projects with a focus on workforce development, inclusion and representation . She also undertook an extended secondment as Senior Relationship Manager, Theatre in the London office of Arts Council England.

She has many years of experience at senior management level in theatres and touring companies with responsibility for strategic development, finance and funding, producing, tour booking and management, marketing and administration. She has also worked on several independent theatre and film projects in management and producing roles.

Emma has served on many boards and advisory bodies, including serving as co-Chair of the Independent Theatre Council, and is currently Parent Governor of a local primary school. She lectures on theatre and performing arts administration and was a visiting lecturer at London South Bank University for nine years.

Kat has a BA in Theatre Studies from the University of Kent. After graduating, she joined Omnibus Theatre as Literary Administrator and Marketing Assistant before moving into the role of Marketing Manager. With a keen interest in new writing, she also worked for Broken Silence Theatre as their Marketing Assistant and Co-Curator for their regional new writing event, Voices From Home.

Joe has an MA in Theatre Directing from the University of Kent. Upon graduating he was an Assistant Director with the Mercury Theatre and Blink Theatre Company before joining The Queen’s Theatre, Hornchurch as their Learning Assistant. Joe quickly moved into the role of Schools and Partnerships Officer, developing and managing their relationships with schools and educational settings.

Hannah studied Theatre, Film & Television studies at The University of Wales, Aberystwyth and has over 20 years’ experience working with young people in education. She is a qualified drama teacher and was Head of Drama at an outstanding secondary school in Manchester for 8 years. She has experience of teaching A Level Drama, GCSE Drama, GCSE Performing Arts, LAMDA examinations and the Arts Award and has worked in special needs schools, mainstream schools and a private drama school.

Hannah is also a trained facilitator for improving teaching practice and has supported both NQTs and experienced teachers with their professional development across a wide range of subject areas. She also trained with Ambition Institute to increase leadership impact in challenging schools and improve pupil outcomes. Throughout her career she has been committed to championing the right for all children to have a high quality and meaningful arts and cultural education.

Niamh has a BA in Drama and Theatre Arts from Goldsmiths University of London. It was through her degree that she first interacted with Theatre Centre, completing a work placement with the company in 2017.  Niamh has remained part of the Theatre Centre team in varying roles, recently becoming a TC Ambassador and now Programme and Administration Assistant. As a young person herself, Niamh is extremely passionate about the work Theatre Centre carries out and is excited to now be a full-time member of the team.